Protecting Kyiv's Heritage: An Urban Center Reconstructing Its Foundations Amidst the Onslaught of Conflict.
Lesia Danylenko showed off with satisfaction her freshly fitted front door. The restoration team had given the moniker its elegant transom window the “crescent roll”, a lighthearted tribute to its arched shape. “In my opinion it’s more of a peafowl,” she stated, appreciating its twig-detailed features. The restoration project at one of Kyiv’s turn-of-the-century art nouveau houses was made possible by residents, who marked the occasion with two impromptu pavement parties.
It was also an demonstration of defiance in the face of a neighboring state, she elaborated: “We strive to live like ordinary people regardless of the war. It’s about organizing our life in the optimal way. Fear does not drive us of remaining in our country. I had the option to depart, relocating to Italy. Conversely, I’m here. The new entrance shows our dedication to our homeland.”
“We are trying to live like everyday people in spite of the war. It’s about organizing our life in the optimal way.”
Preserving Kyiv’s historic buildings seems strange at a moment when missile strikes frequently hit the capital, resulting in death and destruction. Since the beginning of the current year, offensive operations have been dramatically stepped up. After each attack, workers board up shattered windows with plywood and endeavor, where possible, to save residential buildings.
Within the Conflict, a Battle for Beauty
In the midst of war, a band of activists has been attempting to conserve the city’s deteriorating mansions, built in a distinctive style known as Ukrainian modernism. Danylenko’s house is in the historic Shevchenkivskyi district. It was erected in 1906 and was first the home of a affluent fur dealer. Its outer walls is adorned with horse chestnut leaves and delicate camomile flowers.
“These structures stand as symbols of Kyiv. These properties are quite rare today,” Danylenko stated. The building was designed by a designer of Austrian-German origin. Several other buildings in the vicinity showcase analogous art nouveau elements, including a lack of symmetry – with a medieval spire on one side and a small tower on the other. One much-loved house in the area features two sullen white stucco cats, as well as owls, masks and a demonic figure.
Dual Threats to History
But military aggression is only one threat. Preservation campaigners say they face unscrupulous developers who raze protected buildings, corrupt officials and a administrative body unconcerned or hostile to the city’s rich architectural history. The bitter winter climate presents another challenge.
“Kyiv is a city where money wins. We are missing genuine political will to save our heritage,” said Dmytro Perov, an activist. He claimed the city’s mayor was friends with many of the developers who bulldoze important houses. Perov further alleged that the vision for the capital harks back to a bygone era. The mayor rejects these claims, saying they originate from political rivals.
Perov said many of the community-oriented activists who once protected older properties were now fighting on the frontline or had been killed. The protracted conflict meant that everyone was facing financial problems, he added, including judicial figures who curiously ruled in favour of suspect new-build schemes. “The longer this continues the more we see decline of our society and governing institutions,” he argued.
Destruction and Abandonment
One notorious demolition site is in the historic Podil neighbourhood. The street was home to classical 19th-century houses. A developer who obtained the plot had agreed to preserve its attractive brick facade. A day after the onset of major hostilities, diggers tore it down. Recently, a crane dug foundations for a new shopping and business centre, watched by a unfriendly security guard.
Anatolii Pohorily, a heritage supporter, said there was faint chance for the remaining coloured houses on the site. Sometimes developers demolished old properties while asserting they were doing “scientific study”, he said. A 20th-century empire also wrought immense damage on the capital, redesigning its main thoroughfare after the second world war so it could facilitate official processions.
Upholding the Legacy
One of Kyiv’s most prominent champions of historic buildings, a tour guide and blogger, was lost his life in 2022 while engaged in the frontline. His colleague Nelli Chudna said she and other volunteers were carrying on his vital preservation work. There were originally 3,500 brick-built mansions in Kyiv, many erected for the city’s wealthy industrialists. Only 80 of their original doors remain, she said.
“It wasn’t external attacks that destroyed them. It was us,” she said with regret. “The war could continue for another 20 years. If we neglect architecture now not a thing will be left,” she emphasized. Chudna recently helped to restore a unique vine-clad house built in 1910, which serves as the headquarters of her cultural organization and doubles as a film set and museum. The property has a new vermilion portal and original-style railings; inside is a vintage sanitary facility and antique mirrors.
“The war could last another 20 years. If we fail to protect architecture now not a thing will be left.”
The building’s tenant, artist Yurii Pikul, described his home as “incredibly atmospheric and a little bit cold”. Why do many locals not cherish the past? “Regrettably they do not have education and taste. It’s all about business. We are striving as a country to integrate with the west. But we are still a way off from such cultural awareness,” he said. Soviet-era ways of thinking persisted, with people hesitant to take personal responsibility for their urban environment, he added.
Hope in Preservation
Some buildings are crumbling because of bureaucratic indifference. Chudna indicated a once-magical villa tucked away behind a modern hospital. Its roof had caved in; pigeons nested among its broken windows; refuse lay under a storybook tower. “Frequently we are unsuccessful,” she conceded. “This activity is a coping mechanism for us. We are attempting to save all this past and splendour.”
In the face of destruction and commercial interests, these activists continue their work, one building at a time, stating that to rebuild a city’s heart, you must first save its stones.